The core of this workflow involves working with a distorted UV map, from which I derive multiple gradients, noises, and grunge maps that follow the vein pattern of the wood. These nodes are utilized in almost all of my wood materials, significantly speeding up my workflow and making the texture creation process easier, more flexible, and adaptable.įree download of the Substance File with Custom nodes in the comments. I have developed a system that allows me to easily create wood textures using just a few custom nodes.
However now, I have now worked on over 60 wood materials in many variations.
When I first started creating materials, I struggled to create realistic wood textures.
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